I knew almost immediately that I
wouldn’t like The House on Mango Street I
read the introduction and that was all I needed to tell that this would not be
a work that I would have fond memories of. I don’t know exactly if it was the
content or the structure or perhaps something else about the book that I didn’t
like, but it was something. However for the purposes of this discussion I will
try to put my disagreements aside and look at the book from a neutral point of
view.
The
House on Mango Street is a collection of short stories from the Author’s
past growing up in a predominantly Hispanic neighborhood in Chicago during the
1980’s. The short stories are brief experiences from the author’s childhood and
incorporate a number of characters, family and non-family, real and fictional,
that had a significant impact on her life. The stories range from her
experiences moving into the neighborhood, to her life at school, to games she
used to play, and much more. Although there is no real plot woven through these
stories the reader can see a definite pattern, that the author is not satisfied
with her living conditions and ultimately wishes to have a house of her own. At
first she doesn’t understand why her family lives the way they do or why many
of her friends are doomed never to leave Mango Street, but in the end the
reader does get some sense that she is beginning to understand that her way of
thinking in not in the majority and that many of her peers have simply come to
accept the life that they live and that they are destined to live.
Personally, I think the author
could have done just as good a job of illustrating this point by writing a full
novel with a plot and a continuous storyline. The disjointed nature of the work
is one of the most frustrating factors to me as reader. It seems that she
starts developing on thought in a story only to abandon it and move on to the
next short story. Maybe the thought will be picked up later, or maybe not.
Having said all that I can understand how this work is applicable to the coming-of-age
theme that we a pursuing in this class. I discussed earlier that the author is
not like the other kids in her neighborhood in that she has dreams and goals,
and is not satisfied with here life. That isn’t necessarily the coming of age
aspect that I see, it is the change that we see in the author from the
beginning of the work to the end, which conveniently ends with almost the same
narrative. The author describes Mango Street setting her free and recognizes
that there are some on Mango Street that cannot leave.
All in all the work did provide
examples of the coming of age theme, however I think that this goal could have
been met in a more traditional way. I’m sure the author has good reason for
writing the book in the style she chose, it just happens to be a style that I
do not agree with.
Ryan,
ReplyDeleteI had a similar reaction to this book. The chapters were short and sweet, but they were SO short and so vapidly written, that I felt like I got nothing out of them. To top it off, the next chapter covered something entirely different, so you're forced to dismiss the two paragraphs from the previous page like they don't even matter. So at the end of the book, I'm left with the feeling that none of the chapters mattered and this disillusioned girl just wanted her parents to be wealthier. Or something like that. Oh well.